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One
of the biggest stories of the Olympics is the Greek baseball team.
Made up of Greek-American players in the minor leagues with a handful
of former major leagues, the team's fortunes are dealt a crippling
blow right off the bat when their coach Rob Derksen who had put
the team together, dies of a heart attack in New York a month before
the games. The team gains the appreciation of the Greek fans and
all their games are sold out. They don't fare too well, with a lack
of pitching, but in their second game they have the Cuban team
on the ropes in the last inning before falling with the tieing and
winning runs on base. It takes awhile but they finally win their
last game against the Italians. By then the Greek fans understand
the game and continue coming to the stadium and throwing their allegiance
to the Cubans, who beat the Australians in the finals. Anyone sitting
in the stands that night with the sun setting on Mount Hymettos
and the Patriot missiles in right field had to be hoping that baseball
had come to Greece to stay.
Unfortunately those in power don't take advantage
of the publicity the Olympics will give them, to promote not only
the Athens games themselves but Greece as a tourist destination in the
years which follow the games. Rather than flood American television
with positive images of Greece to counteract the reports of bombs
and construction delays, the Greek National Tourist Organization
and the Athens Olympic Committee decide to sit back and let
CNN do their work for them. Unfortunately until a week or so
before the Olympics almost all the news is bad, which is of course
the nature of the news-media. When suddenly people have second thoughts
about skipping these Olympics and decide to come, it is too late.
So while the Olympics are a success, the empty seats put an asterisk
on the word successful. There are no terrorist attacks and
everybody there had a great time, but it was a missed opportunity
and the total bill for the games is 13 billion euros and counting.
The Olympics compelled the government to make changes to the infrastructure
that needed to be made and it is doubtful all of them would have been done
without the Olympics. When the whole world is
watching you then you follow through on your responsibilities. On the other
hand there were lost opportunities and lost money from construction
delays, and corruption. One hopes that an Olympic hangover does
not take too much of a toll on the economy of the country. (For more on the Olympics see www.greecetravel.com/2004olympics)
The popular music of Greece in the nineties
and into the next century, as in the USA, can be summed up in
the old southern proverb "You can put lipstick on a pig and
dress it up. But it is still a pig." A lack of talent
and creativity is disguised with incredible studio production, spectacular
live shows, and media hype. Good looks and sexy bodies are as important
as having a good voice or decent songs, maybe more so. But just as
in America, the young people in Greece love pork. 'Artists'
of limited musical ability become superstars and
role models imitating western style and fashion. Still there are
a handful of talented singers and composers who plug on, maintaining
a base of popularity that enable them to continue performing and
selling CDs to people who recognize and enjoy good
music.
The most artistically successful are those who realize that
there is a goldmine of material in traditional and popular Geek
music of the last century who give these songs new life by combining
them with the technical abilities of contemporary producers
and modern studio magic. George Dalaras and Babis Tsertos,
though not composers are probably the most well known of these artists.
Dalaras with worldwide appeal and Tsertos mostly in Greece. Both
are able to recognize quality songs, some that had been lost in
the past, others that are known by every Greek, and create a recognizable musical
identity not just for Greeks but for the world to hear. From
the sixties to the present Dalaras has released perhaps 100 albums
in a variety of musical styles from Byzantine to Theodorakis and
everything in between. He performs tribute concerts playing the
songs of Tsitsanis, Bambakaris, Hadzidakis and playing with such
musicians as Al Dimeola and the Israeli Philharmonic Orchestra,
even turning up onstage at a Jethro Tull concert. Tsertos plays
the small clubs and does some summer concerts, and puts out a half
dozen or so excellent albums of traditional, rembetika and
laika music with empecable playing, singing and production.
What these artists have discovered is that the highest form of music
is the song and that the pain of unrequitted love, the misery
of exile, or the joys of wine and dance that someone sang 50 or
100 years ago can affect us emotionally today. Other artists who
have embraced the traditional are Glykeria, Haris Alexiou and an
Irishman named Ross Daly who moves to Crete and almost singlehandedly
resurrects traditional Cretan music, putting out dozens of albums
and becoming one of the most respected 'Greek' musicians. The closing
ceremonies at the Olympics ends with a celebration of Greek song
put together by Dionysis Savopoulos and features some of Greece's
biggest stars.
Unfortunately while these people are introducing
the world to Greek music, the guardians of that music, the Greek
equivelant of ASCAP and BMI have fanned out all over the country
charging every taverna, coffee-shop, cafeneon and ouzerie royalties
for playing Greek music on tape, CD or even on the radio. Overnight,
music seems to disappear from the smaller hangouts, to be replaced
by the television which has embraced the worst aspects of American
TV, namely game shows, soap operas, reality shows and talking heads
arguing about every aspect of Greek society. It's a potentially
lethal anti-culture cocktail as televisions seem to replace conversation
and fishermen spend their day watching the Bold and the Beautiful.
Those ouzeries and cafes that can afford it continue to carry the
torch as is evident in an evening walk through the streets
of Psiri, the new nighttime capital of Athens, with live or recorded
music coming from every door. At the same time Greece's musical
heros are being joined by
international stars and other respected musicians to concert venues like
the outdoor theater on top of Mount Lycavettos and clubs such as
The Half Note Jazz Club, Rodon, House of Art, Gagarin 205 and the
An Club. A large number of galleries and museums are added to the
cultural mix and even the ancient theater of Herod Atticus below
the Acropolis, known more for performances by international ballets
and orchestras, has opened the doors to rock and roll with
a performance by Jethro Tull in the summer of 2003. With faster
and more comfortable ferries from Italy combined with inexpensive
flights Athens is truly becoming a European city and the cultural
mecca of the Eastern Mediterranean. By 2004 there are dozens of
television channels (up from 2 in the sixties) and there are so many
FM radio stations that there is no more band-width available.
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